2009年3月30日 星期一
2009年3月29日 星期日
2009年3月28日 星期六
LANVIN Spring 2008 RTW
Few words, indeed, are equal to describing the drama of the pleated dresses that ballooned into airborne trains in movement—one each in cobalt, green, yellow, and red—or the embellishment. Pale ostrich plumes worked their way up the front of a white chiffon sheath, puffing upward to one shoulder and tethered to the body with a weighty pearl-and-enamel pendant. Patches of crystal and feather embroidery, almost African, were worked into intensely patterned shimmy dresses fit for a modern Josephine Baker. And the color kept on exploding on the retina: magenta, teal, red, coral, purple. By the finale parade, Elbaz had covered tux dressing, togas, shirts, pencil skirts, and even some of the season's best fluid pants. When he came out to take his bow, there was a roar of applause from the audience—recognition that this triumph was Elbaz's best Lanvin collection to date, and a celebration that, at long last, someone had come up with the insight to make a collection that is about enhancing the quality of women's lives today.
2009年3月27日 星期五
Class Exercise & Window Display of LANVIN retail shop
I love black, it comes with a cool , trendy and also timeless feeling so I choose black as the main colour of the shop. In order to get the attraction of customers, tables and the curtain in the middle of the shop is in red and pink colour.
The dark background makes the bags and shoes being more eye catching, when customers enter the shop, they may easily focus on the products. That's great!
2009年3月26日 星期四
2009年3月25日 星期三
2009年3月24日 星期二
Exaggarated shoulder !!!
2009年3月23日 星期一
Natalie Portman wearing a LANVIN Fall 2007 dress
LANVIN Fall 2007 RTW
"After last season," explained Alber Elbaz, "we sat in the studio and asked ourselves, 'Where do you go after futurism?' And someone said to me, 'You want to go home.' So then I went back and started looking at Jeanne Lanvin's sketches again." What Elbaz came across was a sheaf of illustrations of Lanvin's wide-shouldered thirties gowns and that was enough to set him off on a path of intense cutting research, which led to one of the strongest advances in modern dressing to come out of the Paris shows. "It's all in the sleeve," he said.
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